{"id":5758,"date":"2018-05-29T16:29:50","date_gmt":"2018-05-29T14:29:50","guid":{"rendered":"http:\/\/www.departuresfilm.de\/?p=5758"},"modified":"2018-06-01T11:46:21","modified_gmt":"2018-06-01T09:46:21","slug":"platz-1-der-arthouse-charts-fuer-in-den-gaengen","status":"publish","type":"post","link":"https:\/\/www.departuresfilm.de\/en\/platz-1-der-arthouse-charts-fuer-in-den-gaengen\/","title":{"rendered":"IN DEN G\u00c4NGEN wins Arthouse&#8217;s Charts"},"content":{"rendered":"<p>IN DEN G\u00c4NGEN (IN THE AISLES) is this week&#8217;s hit in arthouse cinema and leads the German Arthouse&#8217;s Charts. Thomas Stuber&#8217;s tragic-comedey captivated already the cinema&#8217;s jury which honored it with the &#8220;Guild Film Price&#8221;. Last weekend IN DEN G\u00c4NGEN succeed at the arthouse box-office as well. ComScora and the\u00a0association of German Art House Cinemas (AG Kino &#8211; Gilde e.V.) and ComScore\u00a0research the Charts on a weekly basis to presents the most successful movies in it&#8217;s member cinemas.<\/p>","protected":false},"excerpt":{"rendered":"<p>IN DEN G\u00c4NGEN (IN THE AISLES) is this week&#8217;s hit in arthouse cinema and leads the German Arthouse&#8217;s Charts. Thomas Stuber&#8217;s tragic-comedey captivated already the cinema&#8217;s jury which honored it with the &#8220;Guild Film Price&#8221;. Last weekend IN DEN G\u00c4NGEN succeed at the arthouse box-office as well. ComScora and the\u00a0association of German Art House Cinemas&hellip;<\/p>\n","protected":false},"author":7,"featured_media":5565,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[33],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/posts\/5758"}],"collection":[{"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/comments?post=5758"}],"version-history":[{"count":1,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/posts\/5758\/revisions"}],"predecessor-version":[{"id":5759,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/posts\/5758\/revisions\/5759"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/media\/5565"}],"wp:attachment":[{"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/media?parent=5758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/categories?post=5758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/tags?post=5758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}