{"id":5585,"date":"2018-01-15T15:24:35","date_gmt":"2018-01-15T14:24:35","guid":{"rendered":"http:\/\/www.departuresfilm.de\/?p=5585"},"modified":"2018-01-15T15:24:49","modified_gmt":"2018-01-15T14:24:49","slug":"mit-3-tage-in-quiberon-zweiter-berlinale-wettbewerbsbeitrag","status":"publish","type":"post","link":"https:\/\/www.departuresfilm.de\/en\/mit-3-tage-in-quiberon-zweiter-berlinale-wettbewerbsbeitrag\/","title":{"rendered":"3 TAGE IN QUIBERON enters Berlinale Competition"},"content":{"rendered":"<p>This upcoming BERLINALE Competition will show a second DEPARTURES Film&#8217;s co-production: Emily Atef&#8217;s 3 TAGE IN QUIBERON (3 DAYS IN QUIBERON) focuses on 3 days out of the life of cinema icon Romy Schneider. A tense intimate play filmed in black and white staring\u00a0Marie B\u00e4umer, Birgit Minichmayr und Charly H\u00fcbner.<\/p>\n<p>Today 13 film has been <a href=\"https:\/\/www.berlinale.de\/en\/presse\/pressemitteilungen\/wettbewerb\/wettbewerb-presse-detail_40852.html\">announced<\/a> for the official selection of 68th Berlinale.<\/p>","protected":false},"excerpt":{"rendered":"<p>This upcoming BERLINALE Competition will show a second DEPARTURES Film&#8217;s co-production: Emily Atef&#8217;s 3 TAGE IN QUIBERON (3 DAYS IN QUIBERON) focuses on 3 days out of the life of cinema icon Romy Schneider. A tense intimate play filmed in black and white staring\u00a0Marie B\u00e4umer, Birgit Minichmayr und Charly H\u00fcbner. Today 13 film has been&hellip;<\/p>\n","protected":false},"author":7,"featured_media":5504,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[33],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/posts\/5585"}],"collection":[{"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/comments?post=5585"}],"version-history":[{"count":1,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/posts\/5585\/revisions"}],"predecessor-version":[{"id":5586,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/posts\/5585\/revisions\/5586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/media\/5504"}],"wp:attachment":[{"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/media?parent=5585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/categories?post=5585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.departuresfilm.de\/en\/wp-json\/wp\/v2\/tags?post=5585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}